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| Barry Blitt "Nine" |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Bruce McCall "Moving Day" |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Lorenzo Mattotti "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Roz Chast "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Anita Kunz "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
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| Istvan Banyai "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Carter Goodrich "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Christoph Niemann "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Peter Mendelsund "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Kadir Nelson "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Eustace Tilley (above), a cover illustration by Rea Irvin, has long been the mascot of The New Yorker. Eustace graced the first issue of the magazine when it appeared on February 21, 1925, and he has appeared on many covers since then, usually in February. In recent years, he has been depicted or commemorated in many different ways.
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| Barry Blitt "9 for 90" (1 of 9 covers for The New Yorker's 90th anniversary) |
Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.
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| Jorge Colombo "Limited Visibility" |
In a 1697 play entitled The Mourning Bride, William Congreve famously wrote: “Musick has Charms to soothe a savage Breast, To soften Rocks, or bend a knotted Oak.” On a more humble level, music may bring a smile to a reader’s lips, when depicted on a magazine cover.
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| Jean-Jacques Sempé "Dance Around a Piano" |
Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.
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| Carter Goodrich "Everybody Who's Anybody" |
Some of the politicians who have appeared on older covers of The New Yorker are cartoonish fabrications making campaign swings or holding news conferences. In recent years, though, real-life candidates and officeholders have made the cover, often in an unflattering light.
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| Barry Blitt "Clinton's Emoji" |
Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.
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| Barry Blitt "The Dream of Reconciliation" |
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| Birgit Schössow "Flatiron Icebreaker" |
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| Joost Swarte "Summer Adventures" |
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| Peter de Sève "Catnap" |
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| Harry Bliss "Balcony Scene" |
