Showing posts with label New England: Me.. Show all posts
Showing posts with label New England: Me.. Show all posts

Thursday, January 15, 2026

Maine's Common Ground Country Fair posters: 2026

  

Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel. 

Saturday, April 19, 2025

"Listen, my children, and you shall hear . . . ."

Stand Your Ground, by Don Troiani

Monday is Patriots' Day, which probably doesn't mean much to you unless you live in Massachusetts or Maine (where it is a state holiday) or you're running in the Boston Marathon. But as a New Englander, it means a lot to me. Always has, in fact.

One Patriots' Day some 40 years ago, my fiancée, Liz, and I got up long before dawn and hit the road, bound for Lexington, Mass. We were headed to the annual reenactment of the battle that occurred there on April 19, 1775, after Paul Revere and other riders had warned that British troops were on the march. History buff that I am, I had volunteered to cover the event for The Providence Journal in Rhode Islandwhich I was working for at the time.

It was a raw, damp morning. We were none too comfortable standing near Lexington Green, waiting with perhaps 200 other hardy souls for the British regulars to march into view. A line of latter-day minutemen stood nervously on the green as the redcoats approached.

The reenactor who portrayed British Major John Pitcairn, his voice filled with rage, shouted at the colonials. "Disperse, ye rebels! Disperse!" Moments later, a shot rang out from some unknown quarter. And the rest, as they say, is history.

The Midnight Ride of Paul Revere, by Grant Wood

On April 18, 1775, the night before the battles of Lexington and Concord, Paul Revere set out to raise the alarm. Maine native Henry Wadsworth Longfellow is credited with immortalizing Paul Revere in Paul Revere's Ride, which he wrote in 1860 after visiting the Old North Church in Boston. The Maine Historical Society notes that "the basic premise of Longfellow's poem is historically accurate, but Paul Revere's role is exaggerated." Revere was not the only rider that night, "nor did he make it all the way to Concord." Revere was captured and then released (without his horse) in Lexington, "where he had stopped to warn Samuel Adams and John Hancock of the impending attack."

Paul Revere's Ride, by Henry Wadsworth Longfellow

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,--
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm."

Then he said "Good-night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,--
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,--
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
How the British Regulars fired and fled,---
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,---
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.


Saturday, April 12, 2025

Maine's Common Ground Country Fair posters: 2025

 

Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.

Friday, May 3, 2024

Maine's Common Ground Country Fair posters: 2024


Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.

Monday, April 3, 2023

Maine's Common Ground Country Fair posters: 2023

 

Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.

Monday, August 29, 2022

The unsolved mystery of the lost governor of Maine

Enoch Lincoln    

 

At the eastern edge of Capitol Park in Augusta, Maine, near the Kennebec River and a short distance from the State House, sits a grave topped by an obelisk.

 

The Maine Legislature created the tomb in 1842, “for the interment of public officers dying at the seat of government.” Four state officials were buried there, including Enoch Lincoln, who served as Maine’s governor from 1827 until his death, in office, in 1829. An inscription on the obelisk indicates that Lincoln had lived in Portland and was a mere 40 years old when he died.


But there’s a hitch. The tomb is empty. And it has been for a long time.


Maine’s sixth governor, a Massachusetts-born abolitionist and poet who helped choose Augusta as the state capital and played a role in deciding where the State House would be built, has gone missing. No one in authority knows when. Or why. Or where he ended up.


In 1903, when the tomb was opened and repaired, Lincoln was still in residence. A legislative document from that period says his remains were “well preserved” in a metal casket. “The remains of the others have been properly cared for by being placed in new caskets, the original having become decayed with age and dampness.”


But a state inspection in the 1980s confirmed that the tomb was, by then, quite empty. So what happened in the intervening years? State officials have no idea. No records have been found that provide an explanation. It's a grotesque mystery of, well, ghoulishly gubernatorial proportions.


Unfortunately, neither Hercule Poirot nor Miss Marple is on hand to ferret out clues and ultimately reveal all. Still, the creator of those legendary detectives, mystery writer Agatha Christie, did come up with a couple of book titles that could prove useful if someone were to pen a book about Lincoln's disappearance. There’s Christie's Destination Unknown, for example. Or, better yet, And Then There Were None.


The tomb and obelisk in 2022.

Thursday, March 31, 2022

Maine's Common Ground Country Fair posters: 2022

Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.

Wednesday, March 24, 2021

Maine's Common Ground Country Fair posters: 2021


Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.
 

Sunday, January 19, 2020

Maine's Common Ground Country Fair posters: 2020


Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.

Saturday, November 16, 2019

"I awoke today and found the frost perched on the town . . . ."


The fall foliage is long gone here in central Maine. The nights grow longer, and the days can be windy and cold. It was 20 degrees outside at 4 a.m. today, which was downright balmy compared to the 10-degree readings earlier this week.

We've already used the woodstove several times in recent days, and although the calendar claims it's still autumn, that's misleading. I've banked the outside of the chicken coop with bags of leaves, to help insulate it, and we had snow and freezing rain this week, before I could finish raking. Now the yard out back is iced up, and each footfall triggers a noisy crunch. All of which brings to mind a song that, to me, is synonymous with this changing of the seasons.

The wondrously talented Canadian singer/songwriter Joni Mitchell wrote Urge for Going, but I associate it with New Hampshire-born folk singer Tom Rush. Rush covered the song on The Circle Game, an album he released in 1968. I graduated from high school in Massachusetts that year and went off to college in Boston, some 60 miles from home, so Rush's rendition has a tremendously strong nostalgic pull. It's hard to believe more than 50 years have passed since the album's release.

What follows are Mitchell’s lyrics, which Rush altered a bit, primarily to reflect the fact that he's singing a song in the first person that was written by a woman. You can find videos of both artists performing Urge for Going on You Tube, including a version by Rush, which is available here.
 

I awoke today and found the frost perched on the town
It hovered in a frozen sky, then it gobbled summer down
When the sun turns traitor cold
and all the trees are shivering in a naked row
I get the urge for going but I never seem to go

I get the urge for going
When the meadow grass is turning brown
Summertime is falling down and winter is closing in

I had me a man in summertime
He had summer-colored skin
And not another girl in town
My darling's heart could win

But when the leaves fell on the ground, and
Bully winds came around, pushed them face down in the snow
He got the urge for going
And I had to let him go

He got the urge for going
When the meadow grass was turning brown
Summertime was falling down and winter was closing in

Now the warriors of winter they gave a cold triumphant shout
And all that stays is dying, all that lives is getting out
See the geese in chevron flight flapping and a-racing on before the snow
They've got the urge for going, and they've got the wings so they can go

They get the urge for going
When the meadow grass is turning brown
Summertime is falling down and winter is closing in

I'll ply the fire with kindling now, I'll pull the blankets up to my chin
I'll lock the vagrant winter out and bolt my wandering in
I'd like to call back summertime and have her stay for just another month or so
But she's got the urge for going and I guess she'll have to go

She gets the urge for going when the meadow grass is turning brown
And all her empires are falling down
Winter's closing in
 

Wednesday, March 27, 2019

Maine's Common Ground Country Fair posters: 2019


Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.

Thursday, January 18, 2018

Maine's Common Ground Country Fair posters: 2018


Since 1977, the Maine Organic Farmers and Gardeners Association, more commonly known as MOFGA, has held an annual Common Ground Country Fair. And each year, it has commissioned a poster for the event. In the early going, these posters were heavy on text and short on graphics, more informational than artistic. But since the 1980s, they have evolved into lovely, highly popular illustrations that, nowadays, also turn up on T-shirts and other apparel.
 

Sunday, July 2, 2017

"Stand firm, ye boys from Maine"

One of the most dramatic Union victories of the Civil War occurred on this date in 1863, and I’m proud to say that Mainers carried the day.

The 20th Maine Regiment's critically important defense of a Pennsylvania hill known as Little Round Top on July 2, 1863, was part of the larger Battle of Gettysburg on July 1-3.

By July 2, Union troops were positioned along Cemetery Ridge, with two hills, Big Round Top and Little Round Top, looking down on the left flank of the Army of the Potomac. The round tops were undefended when the 15th Alabama Regiment took control of Big Round Top and prepared to assault Little Round Top. Confederate control of Little Round Top would have made the Army of the Potomac vulnerable to a potentially fatal artillery barrage.

Realizing the severity of the threat, Union Gen. Gouverneur Warren hastily dispatched four regiments to Little Round Top, including the 20th Maine, which effectively became the extreme left flank of the Union Army. Col. Joshua Chamberlain of the 20th Maine was ordered to hold his position “at all hazards.”

“The Alabamians drove the Maine men from their positions five times,” Geoffrey C. Ward wrote in The Civil War. “Five times they fought their way back again."

The boys from Maine stood firm.

His regiment reeling under heavy casualties, the remaining men desperately short of ammunition, Chamberlain ordered the 20th Maine to fix bayonets. While part of the regiment held its position atop the hill, the left charged down into the Confederates and swung to the right, like a door on a hinge. Co. B of the 20th Maine, which Chamberlain had detached early on, fired into the retreating rebels.

Little Round Top held, and the following day, the Army of the Potomac won a decisive battle at Gettysburg.

Chamberlain, a college professor turned soldier, was wounded several times during the war. He was breveted a major general and received the Medal of Honor. He went on to serve four terms as governor of Maine and became president of his alma mater, Bowdoin College in Brunswick, Maine, where his home is now a museum.