The New Yorker covers: October 16, 1965

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.

Charles E. Martin
(covers untitled until February 1993)

The New Yorker covers: November 13, 1965

The New Yorker isn’t Sports Illustrated, of course. But a fair number of sports, from basketball and baseball to golf and hockey, have graced the magazine's covers in one form or another since its founding in 1925.

Peter Arno
(covers untitled until February 1993)

The New Yorker covers: November 20, 1965

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.

Albert Hubbell
(covers untitled until February 1993)

The New Yorker covers: March 27, 1965

 

Most of the earth’s surface is covered in water, hence the planet’s nickname as the blue planet. Water, its uses and its relationship to land have held a special appeal for cover artists whose work has appeared in The New Yorker.

James Stevenson
(covers untitled until February 1993)

The New Yorker covers: May 1, 1965

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.

Charles Saxon
(covers untitled until February 1993)

The New Yorker covers: December 18, 1965

I don’t get too excited about holidays, with one major exception. I’ve always had a warm spot in my heart for Christmas. The New Yorker has run many Christmas covers over the years, some of which, such as those by the late George Booth, are quite memorable.

Arthur Getz
(covers untitled until February 1993)

The New Yorker covers: April 24, 1965

Wikipedia describes a cityscape as “an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape.” The New Yorker, which is based in New York City, has displayed a fair number of cityscapes on its cover.

Abe Birnbaum
(covers untitled until February 1993)

The New Yorker covers: October 30, 1965

October 31 is commonly associated with trick-or-treating, costume parties, haunted houses and jack-o’-lanterns, but Halloween also has religious roots as All Hallows' Eve, which precedes a Christian holy day honoring saints. The origins of the holiday are open to dispute. Just make sure you get the candy ready!

Laura Jean Allen
(covers untitled until February 1993)

The New Yorker covers: February 13, 1965

Pets come in many species, but cats and dogs are the most popular. The American Veterinary Medical Association reported in 2024 that the dog population in the U.S. stood at 89.7 million, while the cat population logged in at 73.8 million. The cute and lovable critters have worked their way onto the cover of The New Yorker more than a few times.

Abe Birnbaum
(covers untitled until February 1993)

The New Yorker covers: January 16, 1965

Birds of almost every size and description have popped up on covers of The New Yorker from time to time. Some of them closely, or at least loosely. resemble actual birds. Others are too whimsical and fanciful to be mistaken for anything that exists in the real world. These are not all birds of a feather, by any means.

Saul Steinberg
(covers untitled until February 1993) 

The New Yorker covers: August 21, 1965

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.

 

Peter Arno
(covers untitled until February 1993)

The New Yorker covers: May 8, 1965

Birds of almost every size and description have popped up on covers of The New Yorker from time to time. Some of them closely, or at least loosely. resemble actual birds. Others are too whimsical and fanciful to be mistaken for anything that exists in the real world. These are not all birds of a feather, by any means.

 

William Steig
(covers untitled until February 1993)

The New Yorker covers: January 30, 1965

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.

Peter Arno
(covers untitled until February 1993)

The New Yorker covers: January 2, 1965

 

New Year’s Eve and New Year’s Day are two sides of the same coin, and when it comes to magazine covers, both days have figured prominently. The New Yorker’s covers often gave a tip of the hat to the outgoing/incoming year. Or they focused on drunken revelry and its “morning after” consequences.

 

Aaron Birnbaum
(covers untitled until February 1993)

The New Yorker covers: January 9, 1965

 

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.

 

Albert Hubbell
(covers untitled until February 1993)

The New Yorker covers: June 26, 1965

 

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.

Abe Birnbaum
(covers untitled until February 1993)

The New Yorker covers: April 17, 1965

 

As with several other holidays, Easter is both religious and secular. The Christian Easter commemorates the resurrection of Jesus. The secular Easter gives a starring role to a mythical bunny that distributes chocolate eggs or other sweets to children. Why the Easter Bunny is a non-laying rabbit rather than a hen is beyond me.

Peter Arno
(covers untitled until February 1993)

The New Yorker covers: November 27, 1965

Birds of almost every size and description have popped up on covers of The New Yorker from time to time. Some of them closely, or at least loosely. resemble actual birds. Others are too whimsical and fanciful to be mistaken for anything that exists in the real world. These are not all birds of a feather, by any means.

 

Frank Modell
(covers untitled until February 1993)

The New Yorker covers: January 23, 1965

In a 1697 play entitled The Mourning Bride, William Congreve famously wrote: “Musick has Charms to soothe a savage Breast, To soften Rocks, or bend a knotted Oak.” On a more humble level, music may bring a smile to a reader’s lips, when depicted on a magazine cover.

Arthur Getz
(covers untitled until February 1993)

The New Yorker covers: May 29, 1965

Wikipedia describes a cityscape as “an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape.” The New Yorker, which is based in New York City, has displayed a fair number of cityscapes on its cover.

Arthur Getz
(covers untitled until February 1993)