Monday, April 13, 2026

The New Yorker covers: March 16, 2020

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.


Tomer Hanuka
"Blown Away"

And now, a few words from . . . Robert Musil


A politician who climbs high over the bodies of the slain is described as vile or great according to the degree of his success.

"What is art but a way of seeing?" Saul Bellow

“Houses in Munich,” 1908, Wassily Kandinsky

Movie Posters, 1921: Two adults, please, and a large popcorn!

Today in the history of the American comic strip: April 13


American cartoonists and writers may not have invented the comic strip, but some argue that the comics, as we know them today, are an American creation. Clearly, the United States has played an outsize role in the development of this underappreciated art form.

4.13.1941: James Childress is born. His cartoon Conchy, which ran in the 1970s, focused on a group of beachcombers stuck on a desert island.

4.13.1985: After four decades in print, There Oughta Be a Law! is canceled. Created by Harry Shorten and Al Fagaly, the single-panel cartoon illustrated the absurdities and frustrations of daily life.


Most of the information listed here from one day to the next comes from two online sites -- Wikipedia, and Don Markstein's Toonopedia -- as well as 100 Years of American Newspaper Comics, edited by Maurice Horn. Note that my focus is on American newspaper comic strips (and the occasional foreign strip that gained popularity in the United States). Thus, comic books and exclusively online comics are not included here.

Sunday, April 12, 2026

Essay: My grandfather and his fishy license plate

Wilbrod Lévi Archambeault, my maternal “pépère" (that's informal French for grandfather), died 40 years ago this month, three days before my wedding day.

I dearly loved pépère, who was born and raised in Québec. There, he married my soft-spoken grandmother, Albertine Marie Rose Laliberté, in 1917. By 1919, the couple had settled in New England, first in Connecticut, and then in Massachusetts. The Bay State is where pépère and mémère lived for the rest of their lives, she until 1981 and he until 1986.

I have two especially cherished possessions that belonged to pépère. One is his pocket watch, which, amazingly, still keeps good time. The other is this license plate, which has a tale (or perhaps a tail) to tell.

 

A few years back, The New York Times ran a story headlined “The Great, Fishy Massachusetts License Plate Fiasco of 1928.” The article explained that the plate in question was controversial in its day. The cod fishery in Massachusetts declined from 1920 to 1940, and the 1928 license plate's design made already grumpy fishermen even grumpier. They were irritated because the fish on the plate, which was supposed to represent a cod, looked more like a guppy. Adding insult to injury, the tiny fellow was swimming away from the state name rather than toward it.


The design was changed in 1929: a bigger, more cod-like fish  and a relocation of the state abbreviation from the lower right corner of the plate to the lower left. (That second change -- switching the placement of the year and the state's abbreviation -- reportedly was an annual practice in Massachusetts back then, to discourage motorists from faking registration by repainting outdated plates to match the color of new plates.)

 

I’m sure my no-nonsense grandparents, who had four children by 1928, couldn’t have cared less about this dust-up. And neither do I, really. What matters to me is that whenever my eyes fall on that plate, which hangs in our house, my thoughts always turn to pépère and mémère. They are warm thoughts, pleasant thoughts, but they're tinged with sadness as well.

The New Yorker covers: September 27, 2010

Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.


Barry Blitt
Bedbugs and Beyond"

And now, a few words from . . . Dorothy L. Sayers


Death seems to provide the minds of the Anglo-Saxon race with a greater fund of amusement than any other subject.

"What is art but a way of seeing?" Saul Bellow

"The Wave," 1885, T. Alexander Harrison