Wednesday, November 11, 2026

Essay: Remembering Dad on Veterans Day

Leonide D. Carrier (1912-2003)

By Paul Carrier

If you define a hero as someone who has been honored for his valor and courage under fire, then my father didn't fit the bill.

But there are other definitions of heroism.

Leonide Daniel Carrière (my Québec-born grandfather William Carrière dropped the final "e" after Dad came along) was a member of what Tom Brokaw has called the Greatest Generation. Born to Franco-American parents in Southbridge, Mass., the first of three sons, he was drafted into the Army in 1942, when he was already 30 and hoping to get married. 

Dad started out in an artillery unit. He expected to end up on the front lines. But his right knee locked up at sea; he couldn't walk. When his outfit landed in North Africa, he had to stay behind for surgery while his buddies headed to war. The operation was a success. Once Dad recovered, he was transferred to the 136th Military Police Co., with which he served in North Africa and Italy.

So, my father did not see combat. He did not earn a Purple Heart, like my late uncle, Albert Archambeault, my mother's brother, who was wounded in France. Dad did not receive a Bronze Star, like my wife’s late uncle, Alfred Mello, who fought on during one battle in France as the lone surviving machine gunner in his outfit.

Instead, Dad was an MP. His wartime stories involved, not battlefield heroics, but touching personal vignettes.

Like the fact that he failed to reach his fiancée (my mother, Rita) when he called her unexpectedly from North Carolina to say goodbye as his unit shipped out ahead of schedule. Mom was out shopping, picking up a new hat for a planned rendezvous with her future husband in New York before his outfit sailed. Preoccupied with seeing him, she lost out on her last chance to speak with him by phone before he deployed.

Like the remarkably tall soldiers from Senegal whom he met in Casablanca. He was intimidated by their fearsome-looking scimitars, but they befriended him because French was his first language, and theirs as well.

Like the British soldiers he encountered who, as my father once put it, “were friendly enough, but they talked so fast I never could make out too much of what they were saying.”

Like the heart-stopping terror of seeing German bombers over North Africa at night, the sky alight with Allied anti-aircraft fire.

Like the time he went to midnight Mass in St. Peter’s Square in Rome on Christmas Day.

Like the Army buddy who took tons of pictures when he and Dad went to Switzerland on leave, and then promised to send the negatives to my father stateside, but never did.

Like the fact that Dad and my mother (they married in 1946) wrote to each other almost every day during the years that they were apart, usually in English, but sometimes in French.

Like the frighteningly rough crossing when he finally sailed home late in 1945 aboard a storm-tossed aircraft carrier.

Dad was discharged from the Army as a private first class on Dec. 8, 1945. He once told me, somewhat apologetically, that he never got a shot at a promotion because he was "just an MP."

But he did his part in that rare thing -- a just war -- when the forces of light and darkness wrestled for control of the world. He showed up. He was prepared to face the enemy, if fate decreed it. He knew the meaning of duty. And that makes him a hero in my book.

Essay: Sgt. Alfred Mello, U.S. Army, World War Two

Alfred Mello (1905-1980)

By Paul Carrier

On Oct. 25, 1944, a German infantry unit issued the following warning to its officers regarding the U.S. Army’s 79th Infantry, the famed Cross of Lorraine Division:

The 79th Division is said to have fought particularly well in Normandy, and is considered as one of the best attack divisions in the U.S. Army.

I don’t know if Sgt. Alfred Mello, my wife’s uncle, ever came across that warning, but he wouldn’t have been surprised by it. Mello knew as well as any German officer how aggressive the Cross of Lorraine Division was; he earned a Bronze Star for his service in it. 

Born in 1905 in Tiverton, R.I., the son of Portuguese immigrants from the Azores, Mello wasn't a young man when he was drafted into the Army during World War II. The 79th Division took its nickname and its insignia from a legendary doubled-barred French cross that Joan of Arc carried in the 15th century. The division trained in the United Kingdom in 1944, landed in Normandy about a week after D-Day and went into combat on June 19, 1944. 

The 79th Division liberated Cherbourg and captured La Haye du Puits in house-to-house fighting. It took Lessay and Le Mans, crossed the River Seine, and captured Charmes on Sept. 12. Then it successfully fought what Wikipedia calls “a severe engagement” in the Foret de Parroy, a large forest in Lorraine. More on that particular engagement in a moment. 

My wife Liz tells me that her uncle, a quiet bachelor and landscaper who died in 1980, didn’t talk about the war, at least not in her presence. But there’s no doubt that he remembered the Foret de Parroy. The citation accompanying his Bronze Star reads as follows:



From Sep. 27, 1944, until the cessation of hostilities, Sgt. Mello, on that date a corporal, discharged his duties as a gunner for a heavy machine gun in Co. M in a superior manner. He has participated in every action that the Third Battalion has been in since that time and his efficient handling of his piece under fire has materially aided the battalion's success. 

At one time Sgt. Mello, during the engagement in the Foret de Parroy, was the only remaining gunner in his platoon, and as such was called upon to place constant fire on enemy positions and at the same time break in another (gunner) so that a second heavy machine gun could be put into action.

With only brief periods of rest, he was on the job steadily for three days and nights. His actions over this period are typical of his entire service and reflect highly upon himself and his organization.


Athough Alfred Mello is no longer with us, his Bronze Star, stored in its original case, sits beside my computer as I write this. The ranks of the Greatest Generation grow thinner by the day, but the legacy of the men and women who stared down evil will never die.


The New Yorker covers: May 15, 1948


Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.


Mary Petty
(covers untitled until February 1993)

And now, a few words from . . . James Bryce


Patriotism consists not in waving a flag, but in striving that our country shall be righteous as well as strong.

"What is art but a way of seeing?" Saul Bellow

"Mona Lisa," 1977, Fernando Botero

Movie Posters, 1983: Two adults, please, and a large popcorn

Today in the history of the American comic strip: November 11


American cartoonists and writers may not have invented the comic strip, but some argue that the comics, as we know them today, are an American creation. Clearly, the United States has played an outsize role in the development of this underappreciated art form.

11.11.1942: The creator of Barney Google and Snuffy Smith, Billy DeBeck, dies in New York City at 52. Launched in 1919, DeBeck's strip remains in print.

11.11.1968: Dateline: Danger! joins the lineup of comic strips. Created by writer John Saunders and artist Al McWilliams, the feature starred two intelligence agents working undercover.

11.11.1998: Famed World War Two cartoonist Bill Mauldin draws infantrymen Willie and Joe for publication one last time on Veterans Day, for a Peanuts comic strip. Peanuts creator Charles M. Schulz, also a World War Two veteran, signed the strip "Schulz, and my hero," with Mauldin's signature underneath.
 
11.11.2023: After promising the eventual release of Guard Dog, a beloved character in the Mutts strip who has been chained outside for years, cartoonist Patrick McDonnell begins a dramatic and emotional story arc in which Guard Dog’s owner abandons him, chained to his post.
 


Most of the information listed here from one day to the next comes from two online sites -- Wikipedia, and Don Markstein's Toonopedia -- as well as 100 Years of American Newspaper Comics, edited by Maurice Horn. Note that my focus is on American newspaper comic strips (and the occasional foreign strip that gained popularity in the United States). Thus, comic books and exclusively online comics are not included here.

Tuesday, November 10, 2026

The New Yorker covers: September 17, 1938


Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.


Ilonka Karasz
(covers untitled until February 1993)

And now, a few words from . . . Jean Cocteau


Style is a simple way of saying complicated things.