Valentine's Day (aka, Saint Valentine's Day) is both a secular holiday and, in its religious context, a holy day as well. Celebrated on February 14, it originated as “a Christian feast day honoring a martyr named Valentine,” according to Wikipedia. It later became a celebration of love, which is how many of us know it today.
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| Heidi Goennel (covers untitled until February 1993) |
Over the years, there have been many magazines whose covers have featured the work of highly talented artists and illustrators. But probably no magazine has had more varied and memorable covers, over a longer period of time, than The New Yorker, which was founded in 1925.
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| Iris van Rynbach (covers untitled until February 1993) |
The New Yorker isn’t Sports Illustrated, of course. But a fair number of sports, from basketball and baseball to golf and hockey, have graced the magazine's covers in one form or another since its founding in 1925.
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| James Stevenson (covers untitled until February 1993) |
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| Abel Quezada (covers untitled until February 1993) |
In a 1697 play entitled The Mourning Bride, William Congreve famously wrote: “Musick has Charms to soothe a savage Breast, To soften Rocks, or bend a knotted Oak.” On a more humble level, music may bring a smile to a reader’s lips, when depicted on a magazine cover.
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| Jean-Jacques Sempé (covers untitled until February 1993) |
In a 1697 play entitled The Mourning Bride, William Congreve famously wrote: “Musick has Charms to soothe a savage Breast, To soften Rocks, or bend a knotted Oak.” On a more humble level, music may bring a smile to a reader’s lips, when depicted on a magazine cover.
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| Jean-Jacques Sempé (covers untitled until February 1993) |
Wikipedia describes a cityscape as “an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape.” The New Yorker, which is based in New York City, has displayed a fair number of cityscapes on its cover.
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| Douglas Florian (covers untitled until February 1993) |
The New Yorker has long been one of the most respected and influential magazines in the history of American publishing. So it comes as no surprise that many of its cover artists have chosen to showcase readers and reading.
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| Eugène Mihaesco (covers untitled until February 1993) |
Wikipedia describes a cityscape as “an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape.” The New Yorker, which is based in New York City, has displayed a fair number of cityscapes on its cover.
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| Roxie Munro (covers untitled until February 1993) |
New Year’s Eve and New Year’s Day are two sides of the same coin, and when it comes to magazine covers, both days have figured prominently. The New Yorker’s covers often gave a tip of the hat to the outgoing/incoming year. Or they focused on drunken revelry and its “morning after” consequences.
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| Edward Koren (covers untitled until February 1993) |
Birds of almost every size and description have popped up on covers of The New Yorker from time to time. Some of them closely, or at least loosely. resemble actual birds. Others are too whimsical and fanciful to be mistaken for anything that exists in the real world. These are not all birds of a feather, by any means.
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| Saul Steinberg (covers untitled until February 1993) |
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| Jean-Jacques Sempé (covers untitled until February 1993) |
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| Charles E. Martin (covers untitled until February 1993) |
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| Gretchen Dow Simpson (covers untitled until February 1993) |
Most of the earth’s surface is covered in water, hence the planet’s nickname as the blue planet. Water, its uses and its relationship to land have held a special appeal for cover artists whose work has appeared in The New Yorker.
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| Arthur Getz (covers untitled until February 1993) |
Wikipedia describes a cityscape as “an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape.” The New Yorker, which is based in New York City, has displayed a fair number of cityscapes on its cover.
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| Lonni Sue Johnson (covers untitled until February 1993) |
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| Gretchen Dow Simpson (covers untitled until February 1993) |
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| Saul Steinberg (covers untitled until February 1993) |
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| Jenni Oliver (covers untitled until February 1993) |
Most of the earth’s surface is covered in water, hence the planet’s nickname as the blue planet. Water, its uses and its relationship to land have held a special appeal for cover artists whose work has appeared in The New Yorker.
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| Lonnie Sue Johnson (covers untitled until February 1993) |
